LOL Joe.
Love the concept of "rent-a-crowd".
But I thought the agency is called "Lash-or-prison-A-crowd"
I am really impressed by the moving cameras at the side of fields that seems are all in double. I guess some Chines movie version of Olympics will be out soon is
3D.
Equally impressive for me is the under water mobile cameras that move with the swimmers. I can't believe technology has become so advance to actually show a finger nail difference or one hundredth of a second on picture to find the right winner with no doubt whatsoever , using this technology (Talking of that fabulus remarkable marvelous win of Michael Dolphin Phelps...).
Wonder how a commercial or independent sport photographer can have access and control over those or any other dependent under the water pool cameras... May be a good idea for 2012 to install many and rent some of those cameras ahead of time to companies that can afford the 7 digit figures for independent picture taking, so a lot of cameras that ultimately bring in a lot of revenue for the host country. I hope some of you guys have input or influence on these type of issues for London's Olympic. If approved, I'll apply for my commission later on
Lastly but most importantly I am sure Duncan will not forgive me not to say something about the beauty of those beige L class lenses with sexiest lip stick on the end top, (Engineer must have been French-Japaneses) that of no doubt are the most beautiful lenses in the world, dominant on the picture of the
Link Duncan left, 2 preserving the beauty of Olympics in true and accurate color, Of course talking of the best camera in the world, Canon...
