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Brown sky at night!
I've been experimenting with some long-exposure night shooting recently with some mixed results. One thing that I can't figure out is why I often get a brown cast, particularly to the sky. Sometimes it looks quite neat but I'd like to also be able to achieve the nice crisp colours as displayed in Yelvertoft's photos of the cloth hall in Ypres. Can anyone explain what is happening?
Thanks. Sean |
If you post an example of the effect you are describing, it would help in analysing what's going on. On first reading, light pollution from sodium lamp street lighting springs to mind but an example would help.
Thanks for the compliment on my shot. Apart from a bit of perspective correction, and subsequent crop, I didn't do anything with this shot, it's "as taken". Duncan |
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Sean |
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I agree with Stephen. You are recording the light from the city scattered from clouds and dust in the sky. The solution is to wait for a clear sky, then it will be black, at least in shortish exposures. Also, if you want a bit of colour, you can wait for a nice sunset. If you take a look at the postcards sold in central London newsagents you will see some good examples of this. Of course it is easiest if you live in London, as you can never be sure quite how the conditions will turn out. I suppose these days we should all be taking pictures close to home to avoid needlessly burning fuel.
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Sorry, there is no cure except to take pictures in less urban environments. Duncan |
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The air will be cleaner on a fine night after rain but light pollution will still be there. Its often recommended to shoot while there is still a bit of light in the sky as per yelvertofts second shot i.e. at dusk rather than when it is truly dark. I think a that makes for a more interesting shot but it makes the photography more weather dependant.
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It was Leif who took the two pictures above, not I. And very good they are too.
I wonder how much difference there is with digital vs. film in picking up the orange tint? I've shot many cityscapes on film at night. I've just gone and had a look at one hanging on my wall, it has negligible orange glow. |
Sorry to have given the credit to the wrong person Leif. Yes they are very good shots. Interesting question, you would have to set up a film and digital camera up side by side so the conditions were identical. Different films would make a difference too so its a bit complicated!
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I should perhaps clarify by saying that I've taken traffic light trail pictures on digital cameras, out in the sticks, on different days, and under different conditions admittedly, and suffered terribly with light pollution from small towns several miles over the horizon.
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I think it all depends on the length of the exposure. A few seconds should be okay.
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Sean,
quite honestly, I prefer the shot as is! |
Thanks everyone. What you are saying fits in with what I've been experiencing. The cloudier the weather the browner the sky certainly. And taking the shot at dusk seems to result in a bluer sky as Leif's great shots prove and I have found with my own shots of Parliament.
Paul, I tend to agree with you that the effect can be quite pleasing but it is always nice to have an understanding of these things so as to be able to predict how a shot might turn out and possibly turn that knowledge to your advantage. Finally, since posting the message I have revisited some of the shots I have taken recently and played with the white balance in ACR with some variable but occasionally pleasing results. I have gotten into the habit of always shooting in RAW anyway due to my underwater photography but I think it probably can be useful in a night shooting scenario too. |
Sean if you look at my picture "Light trails" you will notice that the sky is brown, this is caused by the lights of Manchester and Warrington, as this picture was taken in the Cheshire countryside I think it shows just how bad light pollution is beginning to get. Overall the shot of St Pauls is good but the sky spoils it somewhat.
Alan |
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